Upcoming Events

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< 2018 >
June 25 - July 01
  • 25
    25.June.Monday

    JORDAN YOUNG TRIO

    8:00 pm-11:00 pm
    2018.06.25
    277 Church St, NYC, NY, United States
    277 Church St, NYC, NY, United States

    Drummer Jordan Young shines his light with his new record, Jazz Jukebox (Posi-Tone, 2016). The album features Brian Charette on organ, Matt Chertkoff on guitar, and Nick Hempton on sax. In recent years, Young has had steady weekly gigs at New York’s Authentic Bar B Flat, which the group has honed their sound. While rooted in the jazz tradition, the musicians come together to form and create a modern organ group sound. Their range of influences creates a deep and di- verse musical palette that is naturally inspired by classic 1960s organists such as Jimmy Smith, Jack McDuff, Larry Young and Melvin Rhyne, to name a few. Influences from non jazz artists such as the Beatles, Jim Croce, and 70’s TV composer Charles Fox contribute to the creation of a sound on this album that is well-rounded and appealing to many diverse audiences.

    Born in Detroit, Michigan in 1978, music was always a continuous presence in Young’s upbringing. His earliest musical influences came from his mother’s vast record collection and the music all around him. He began to play drums at age ten, immediately falling in love with the instrument. As soon as he was good enough, he started playing in local rock, punk and heavy metal bands. His first experience playing jazz was in his high school jazz band, where he was first chair all four years. His exposure to a variety of styles at an early age helped him to become the versatile and creative musician he is today.

    Young attended the Jazz Studies Program at The University of Michigan, and attended many jam sessions in the Metro-Detroit Area, which led to gigs with Detroit jazz legends Donald Walden, Marcus Belgrave, Teddy Harris, Jr., James Carter, and Rodney Whitaker. Meanwhile, at the U of M, Young was taken under the wing of world-renowned drummer and composer, Gerald Cleaver. Studying with Cleaver, Young really began to dig deep into world of jazz drumming, absorbing him- self in the music of master drummers like Art Blakey, Jimmy Cobb, and “Philly” Joe Jones.

    Young moved to New York City and has been an active part of the NYC jazz scene, studying with world class educator John Riley, and earning his masters from Manhattan School of Music. Young has two previous albums (Jordan Young Group in 2010 and Cymbal Melodies in 2012) that were very well received by the jazz press. Recently, Young has been a member of Juilliard Artist jazz en- semble, and has taken part in the prestigious Artist Diploma program at The Juilliard School, which travels the world representing the school. It was here where he began to learn under the tutelage of the great Wynton Marsalis. In late 2015, Young did a U.S. Embassy state tour with vocalist Gabrielle Stravelli through the organization called “American Voices,” which included international shows and clinics in Moldova, Azerbaijan, Slovania and Malta.

    Young maintains an active private teaching studio in Brooklyn, NY, and continues to travel the world as a bandleader and sideman. today.

     

  • 26
    26.June.Tuesday
    No events
  • 27
    27.June.Wednesday

    JORDAN YOUNG TRIO

    8:30 pm-11:30 pm
    2018.06.27
    277 Church St, NY, United States
    277 Church St, NY, United States

    Drummer Jordan Young shines his light with his new record, Jazz Jukebox (Posi-Tone, 2016). The album features Brian Charette on organ, Matt Chertkoff on guitar, and Nick Hempton on sax. In recent years, Young has had steady weekly gigs at New York’s Authentic Bar B Flat, which the group has honed their sound. While rooted in the jazz tradition, the musicians come together to form and create a modern organ group sound. Their range of influences creates a deep and di- verse musical palette that is naturally inspired by classic 1960s organists such as Jimmy Smith, Jack McDuff, Larry Young and Melvin Rhyne, to name a few. Influences from non jazz artists such as the Beatles, Jim Croce, and 70’s TV composer Charles Fox contribute to the creation of a sound on this album that is well-rounded and appealing to many diverse audiences.

    Born in Detroit, Michigan in 1978, music was always a continuous presence in Young’s upbringing. His earliest musical influences came from his mother’s vast record collection and the music all around him. He began to play drums at age ten, immediately falling in love with the instrument. As soon as he was good enough, he started playing in local rock, punk and heavy metal bands. His first experience playing jazz was in his high school jazz band, where he was first chair all four years. His exposure to a variety of styles at an early age helped him to become the versatile and creative musician he is today.

    Young attended the Jazz Studies Program at The University of Michigan, and attended many jam sessions in the Metro-Detroit Area, which led to gigs with Detroit jazz legends Donald Walden, Marcus Belgrave, Teddy Harris, Jr., James Carter, and Rodney Whitaker. Meanwhile, at the U of M, Young was taken under the wing of world-renowned drummer and composer, Gerald Cleaver. Studying with Cleaver, Young really began to dig deep into world of jazz drumming, absorbing him- self in the music of master drummers like Art Blakey, Jimmy Cobb, and “Philly” Joe Jones.

    Young moved to New York City and has been an active part of the NYC jazz scene, studying with world class educator John Riley, and earning his masters from Manhattan School of Music. Young has two previous albums (Jordan Young Group in 2010 and Cymbal Melodies in 2012) that were very well received by the jazz press. Recently, Young has been a member of Juilliard Artist jazz en- semble, and has taken part in the prestigious Artist Diploma program at The Juilliard School, which travels the world representing the school. It was here where he began to learn under the tutelage of the great Wynton Marsalis. In late 2015, Young did a U.S. Embassy state tour with vocalist Gabrielle Stravelli through the organization called “American Voices,” which included international shows and clinics in Moldova, Azerbaijan, Slovania and Malta.

    Young maintains an active private teaching studio in Brooklyn, NY, and continues to travel the world as a bandleader and sideman. today.

     

  • 28
    28.June.Thursday
    No events
  • 29
    29.June.Friday
    No events
  • 30
    30.June.Saturday

    Charlie Apicella & Iron City

    10:00 pm-12:00 am
    2018.06.30-2018.07.01

    Charlie Apicella & Iron City’s fifth record is a testament to the band’s 10th anniversary as they approach their 2,000th gig milestone.

    In the spirit of legendary organist Jack McDuff, this hard bop burner transports you to the soulful, toe tapping, smoke-filled rooms of life on the Chitlin Circuit!

    One Night Only: a tribute to Jack McDuff was featured WBGO Radar, Michael Bourne’s Blues Break, and Jazz After Hours on Public Radio International.  

    BIO

    Charlie Apicella has been mentored in improvisation and composition by Yusef Lateef, Pat Martino, and Dave Stryker.

    Charlie Apicella is an Eastman Guitars Featured Artist, a Guild Guitars Sponsored Artist and a ZT Amplifiers Official Artist.  He is a regular contributor to Vintage Guitar Magazine‘s YouTube channel.

    He has written lessons for DownBeat and Just Jazz Guitar magazines and has been profiled in Vintage Guitar and Hot House magazines.

    ==============

    QUOTES

    “I think you will find that “Sparks” will light the artistic fires of the soul and intellect.” Heartfully, YUSEF LATEEF

     

    “New York’s Apicella is a big time soloist an comping artist and his strengths shine on his latest.

    His playing behind Sonny Fortune’s soloing on “Lookin’ East” is a joy to hear.”

    “As a player, Apicella immediately brings to mind Grant Green. He’s funky, he’s bluesy, and he’s not afraid to get dirty at times…Apicella and band have that perfect jazz rapport that allows them to be tight as hell and play off each other beautifully.” JOHN HEIDT, Vintage Guitar Magazine

     

    “Apicella’s playing shines…[he] is aware of the straight-ahead tradition, showcasing his Wes Montgomery influence…Apicella’s guitar sound is bright and clean, and easily cuts through the huge sound of the organ.” TIM FISCHER, Just Jazz Guitar Magazine

    “Apicella is a lithe, swinging guitarist with an affinity for the contrasting styles of both Grant Green and Wes Montgomery…An all-around impressive debut by a guitarist of substance.” MARK GARDNER, Jazz Journal

  • 01
    01.July.Sunday
    No events