Takaaki

Drummer Jordan Young shines his light with his new record, Jazz Jukebox (Posi-Tone, 2016). The album features Brian Charette on organ, Matt Chertkoff on guitar, and Nick Hempton on sax. In recent years, Young has had steady weekly gigs at New York’s Authentic Bar B Flat, which the group has honed their sound. While rooted in the jazz tradition, the musicians come together to form and create a modern organ group sound. Their range of influences creates a deep and di- verse musical palette that is naturally inspired by classic 1960s organists such as Jimmy Smith, Jack McDuff, Larry Young and Melvin Rhyne, to name a few. Influences from non jazz artists such as the Beatles, Jim Croce, and 70’s TV composer Charles Fox contribute to the creation of a sound on this album that is well-rounded and appealing to many diverse audiences.

Born in Detroit, Michigan in 1978, music was always a continuous presence in Young's upbringing. His earliest musical influences came from his mother's vast record collection and the music all around him. He began to play drums at age ten, immediately falling in love with the instrument. As soon as he was good enough, he started playing in local rock, punk and heavy metal bands. His first experience playing jazz was in his high school jazz band, where he was first chair all four years. His exposure to a variety of styles at an early age helped him to become the versatile and creative musician he is today.

Young attended the Jazz Studies Program at The University of Michigan, and attended many jam sessions in the Metro-Detroit Area, which led to gigs with Detroit jazz legends Donald Walden, Marcus Belgrave, Teddy Harris, Jr., James Carter, and Rodney Whitaker. Meanwhile, at the U of M, Young was taken under the wing of world-renowned drummer and composer, Gerald Cleaver. Studying with Cleaver, Young really began to dig deep into world of jazz drumming, absorbing him- self in the music of master drummers like Art Blakey, Jimmy Cobb, and “Philly” Joe Jones.

Young moved to New York City and has been an active part of the NYC jazz scene, studying with world class educator John Riley, and earning his masters from Manhattan School of Music. Young has two previous albums (Jordan Young Group in 2010 and Cymbal Melodies in 2012) that were very well received by the jazz press. Recently, Young has been a member of Juilliard Artist jazz en- semble, and has taken part in the prestigious Artist Diploma program at The Juilliard School, which travels the world representing the school. It was here where he began to learn under the tutelage of the great Wynton Marsalis. In late 2015, Young did a U.S. Embassy state tour with vocalist Gabrielle Stravelli through the organization called "American Voices,” which included international shows and clinics in Moldova, Azerbaijan, Slovania and Malta.

Young maintains an active private teaching studio in Brooklyn, NY, and continues to travel the world as a bandleader and sideman. today.

Drummer Jordan Young shines his light with his new record, Jazz Jukebox (Posi-Tone, 2016). The album features Brian Charette on organ, Matt Chertkoff on guitar, and Nick Hempton on sax. In recent years, Young has had steady weekly gigs at New York’s Authentic Bar B Flat, which the group has honed their sound. While rooted in the jazz tradition, the musicians come together to form and create a modern organ group sound. Their range of influences creates a deep and di- verse musical palette that is naturally inspired by classic 1960s organists such as Jimmy Smith, Jack McDuff, Larry Young and Melvin Rhyne, to name a few. Influences from non jazz artists such as the Beatles, Jim Croce, and 70’s TV composer Charles Fox contribute to the creation of a sound on this album that is well-rounded and appealing to many diverse audiences.

Born in Detroit, Michigan in 1978, music was always a continuous presence in Young's upbringing. His earliest musical influences came from his mother's vast record collection and the music all around him. He began to play drums at age ten, immediately falling in love with the instrument. As soon as he was good enough, he started playing in local rock, punk and heavy metal bands. His first experience playing jazz was in his high school jazz band, where he was first chair all four years. His exposure to a variety of styles at an early age helped him to become the versatile and creative musician he is today.

Young attended the Jazz Studies Program at The University of Michigan, and attended many jam sessions in the Metro-Detroit Area, which led to gigs with Detroit jazz legends Donald Walden, Marcus Belgrave, Teddy Harris, Jr., James Carter, and Rodney Whitaker. Meanwhile, at the U of M, Young was taken under the wing of world-renowned drummer and composer, Gerald Cleaver. Studying with Cleaver, Young really began to dig deep into world of jazz drumming, absorbing him- self in the music of master drummers like Art Blakey, Jimmy Cobb, and “Philly” Joe Jones.

Young moved to New York City and has been an active part of the NYC jazz scene, studying with world class educator John Riley, and earning his masters from Manhattan School of Music. Young has two previous albums (Jordan Young Group in 2010 and Cymbal Melodies in 2012) that were very well received by the jazz press. Recently, Young has been a member of Juilliard Artist jazz en- semble, and has taken part in the prestigious Artist Diploma program at The Juilliard School, which travels the world representing the school. It was here where he began to learn under the tutelage of the great Wynton Marsalis. In late 2015, Young did a U.S. Embassy state tour with vocalist Gabrielle Stravelli through the organization called "American Voices,” which included international shows and clinics in Moldova, Azerbaijan, Slovania and Malta.

Young maintains an active private teaching studio in Brooklyn, NY, and continues to travel the world as a bandleader and sideman. today.

Born in New Haven,Connecticut, Ed moved to New York in 1978 to play guitar with Dizzy Gillespie from 1978 to 1992 performing in Gillespie's quartet, big band and with The United Nation Orchestra which recorded the Grammy Award-winning Live at Royal Festival Hall (Enja). Gillespie died in 1993, and Cherry released his first recording as a leader, 'First Take' (Groovin' High). That same year, Ed recorded with Paquito D'Riveras' small group which recorded "Havana Cafe" (Chesky Records). Ed also worked with composer/saxophonist Henry Threadgill for two years and recorded  three cds with Henry's 'Very Very Circus' group.

In 1995, Cherry released his second project as a solo artist, entitled A Second Look (Groovin' High Records). During that same period Ed worked with Hammond organist John Patton recording three critically acclaimed cds with Patton's quartet-'Blue Planet Man','Minor Swing' and 'This ones for Jah'(DIW). From 1997 to 1998, Cherry worked in Roy Hargrove's “Crisol” Latin jazz band, which performed in Havana, Cuba. During this same period, he also worked w/baritone saxophonist, Hamiett Bluiett, recording Bluiett's cd 'With Eyes Wide Open' on Justin-Time records.In 2001, Cherry toured Europe for the first time with his own group. He also released his  cd, 'The Spirit Speaks' on the Canadian Justin Time Records label, inspired by the great jazz organist Jimmy Smith with whom he had also recently worked.Ed was asked to perform at the 'Vodaphone Madarao Jazz festival'in 2002 in Madarao Japan with his quartet featuring trumpeter Jon Faddis.

More recently , Ed toured with the great Hammond organist Dr. Lonnie Smith, recording one critically acclaimed cd, 'In The Beginning' on Pilgrimage Records in 2012. 

Currently Ed has a brand new second recording released on Posi-Tone Records. ('It's All Good' his first release in 2012 for Posi-Tone stayed in the JazzWeek charts for 3 months) his second recording for the label is titled "Soul Tree" ( release date February 19 2016 ) featuring Kyle Koehler on Hammond B3 organ and drummer Anwar Marshall. As of this pre release date, it's already gathering rave reviews.

Ed continues to work nationally and internationally ; concerts, workshops, jazz clubs.

Charlie Apicella & Iron City's fifth record is a testament to the band's 10th anniversary as they approach their 2,000th gig milestone.

In the spirit of legendary organist Jack McDuff, this hard bop burner transports you to the soulful, toe tapping, smoke-filled rooms of life on the Chitlin Circuit!

One Night Only: a tribute to Jack McDuff was featured WBGO Radar, Michael Bourne's Blues Break, and Jazz After Hours on Public Radio International.  

BIO

Charlie Apicella has been mentored in improvisation and composition by Yusef Lateef, Pat Martino, and Dave Stryker.

Charlie Apicella is an Eastman Guitars Featured Artist, a Guild Guitars Sponsored Artist and a ZT Amplifiers Official Artist.  He is a regular contributor to Vintage Guitar Magazine's YouTube channel.

He has written lessons for DownBeat and Just Jazz Guitar magazines and has been profiled in Vintage Guitar and Hot House magazines.

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QUOTES

"I think you will find that "Sparks" will light the artistic fires of the soul and intellect." Heartfully, YUSEF LATEEF

"New York's Apicella is a big time soloist an comping artist and his strengths shine on his latest.

His playing behind Sonny Fortune’s soloing on “Lookin’ East” is a joy to hear."

"As a player, Apicella immediately brings to mind Grant Green. He’s funky, he’s bluesy, and he’s not afraid to get dirty at times...Apicella and band have that perfect jazz rapport that allows them to be tight as hell and play off each other beautifully." JOHN HEIDT, Vintage Guitar Magazine

"Apicella's playing shines...[he] is aware of the straight-ahead tradition, showcasing his Wes Montgomery influence...Apicella's guitar sound is bright and clean, and easily cuts through the huge sound of the organ." TIM FISCHER, Just Jazz Guitar Magazine

"Apicella is a lithe, swinging guitarist with an affinity for the contrasting styles of both Grant Green and Wes Montgomery...An all-around impressive debut by a guitarist of substance." MARK GARDNER, Jazz Journal